Category: Isaac Asimov

The Last Question by Isaac Asimov

The Last Question by Isaac Asimov (Science Fiction Quarterly, November 1956)1 is a one of his “Multivac” stories about a giant computer. In this tale, after the computer has been running for several decades, it finally develops a system that provides unlimited solar power for humanity. After this achievement, we then see the Multivac’s two attendants, who are hiding from the publicity in an underground chamber, having a drink and relaxing. Later, an argument develops when one of the two, Adel, contends that that the solar power supply will last forever:

Lupov cocked his head sideways. He had a trick of doing that when he wanted to be contrary, and he wanted to be contrary now, partly because he had had to carry the ice and glassware. “Not forever,” he said.
“Oh, hell, just about forever. Till the sun runs down, Bert.”
“That’s not forever.”
“All right, then. Billions and billions of years. Twenty billion, maybe. Are you satisfied?”
Lupov put his fingers through his thinning hair as though to reassure himself that some was still left and sipped gently at his own drink. “Twenty billion years isn’t forever.”  p. 8

This back and forth continues until Lupov points out that when entropy eventually reaches a maximum (i.e The Heat Death of the Universe, when the temperature everywhere in the Universe is the same), no more free energy will be available. Adell suggests that it may be possible to “build things up again someday”. Lupov disagrees, and so they ask Multivac if it will ever be possible to decrease the amount of entropy in the universe: the computer replies “INSUFFICIENT DATA FOR MEANINGFUL ANSWER”.
The rest of the story telescopes through time until the end of the Universe, with many changes taking place during the various sections: Multivac becomes a much smaller machine, and eventually exists in hyperspace (by this point it is called the “Cosmic AC”); meanwhile, humans become immortal, spread throughout the Galaxy and the Universe, turn into disembodied beings, and later merge into one consciousness. At the end of every section someone asks the same question that Adell and Lupov asked and get the same answer.
Finally, ten trillions years later, just before the last man fuses with AC, the question is asked one last time with the same result. Then, in the timeless interval afterwards (spoiler), AC learns how to reverse the direction of entropy:

But there was now no man to whom AC might give the answer of the last question. No matter. The answer—by demonstration—would take care of that, too.
For another timeless interval, AC thought how best to do this. Carefully, AC organized the program.
The consciousness of AC encompassed all of what had once been a Universe and brooded over what was now Chaos. Step by step, it must be done.
And AC said, “LET THERE BE LIGHT!”
And there was light—  p. 15

The cosmic and temporal sweep of the story is quite well done but the ending is a gimmick better appreciated at age 12. I’d also suggest the story has a religious or mythological ending rather than a proper sense of wonder one.2 Still, not bad I guess.
*** (Good). 4,450 words. Story link.

1. I assumed that this story had bounced from Astounding, Galaxy and F&SF to Science Fiction Quarterly (a much lower-budget publication) but then I found this in Asimov’s autobiography, In Joy Still Felt:

On June 1, 1956, I received a request from Bob Lowndes for another story. I was already thinking about writing another story about Multivac (“Franchise,” which had been the first, had been written as a direct consequence of my introduction to Univac in the 1952 election).
I had worked out ever greater developments of Multivac, and eventually was bound to consider how far I could go; how far the human mind (or, anyway, my human mind) could reach,
So as soon as I got Bob’s letter I sat down to write “The Last Question,” which was only forty-seven hundred words long, but in which I detailed the history of ten trillion years with respect to human beings, computers, and the universe. And, in the end—but no, you’ll have to read the story, if you haven’t already.
I wrote the whole thing in two sittings, without a sentences hesitation. On June 4 I sent it off, and on June 11 I got the check from Lowndes at four cents a word.
I knew at the instant of writing it that I had become involved in something special. When I finished it, I said, in my diary, that it was “the computer story to end all computer stories, of, who knows, the science-fiction story to end all science-fiction stores.” OF course, it may well be that no one else agrees with me, but it was my opinion at the time, and it still is today.  p. 59

2. Tacking on a religious or mythological ending to provide a sense of wonder is not uncommon, e.g. Arthur C. Clarke’s The Nine Billion Names of God.

Christmas on Ganymede by Isaac Asimov

Christmas on Ganymede by Isaac Asimov (Startling Stories, January 1942)1 opens with Olaf Johnson hanging decorations in the colony’s dome when he and all the other men are summoned to a meeting with their boss: they learn that, thanks to Johnson, the native Ossies (who are the colony’s labour force) have learned about Christmas and will go on strike unless Santa Claus visits. Johnson is nominated to be Santa.
The rest of the story sees the conversion of an anti-grav sled into a sleigh, the capture and sedation of Ganymedean spineybacks for use as reindeer, and the costuming of Johnson:

“I’m not going anywhere in this costume!” he roared, gouging at the nearest eye. “You hear me?”
There certainly was cause for objection. Even at his best, Olaf had never been a heartthrob. But in his present condition, he resembled a hybrid between a spinie’s nightmare and a Picassian conception of a patriarch.
He wore the conventional costume of Santa. His clothes were as red as red tissue paper sewed onto his space coat could make it. The “ermine” was as white as cotton wool, which it was. His beard, more cotton wool glued into a linen foundation, hung loosely from his ears. With that below and his oxygen nosepiece above, even the strongest were forced to avert their eyes. p. 88

Johnson’s perilous flight to the Ossies’ camp is made even more dangerous when the spineys wake up en route, but he eventually gets there safely. The Ossies get Christmas tree ornaments for presents (they think the globes are “Sannyclaws eggs”), and then demand a visit every year—which to them is a seven-day revolution around Jupiter.
This is an early work by Asimov that’s longer than it needs to be and whose characters are rather cartoonish (one of the prospectors—sorry, colonists—chews tobacco). But it’s a pleasant enough piece that produced a couple of smiles.
** (Average). 5,450 words. Story link.

1. This was published around the same time as Nightfall and the first ‘Foundation’ stories (late 1941 to mid-1942), but was written a year or so earlier, as Asimov notes in The Early Asimov:

The success of “Reason” didn’t mean that I was to have no further rejections from Campbell.
On December 6, 1940, influenced by the season and never stopping to think that a Christmas story must sell no later than July in order to make the Christmas issue, I began “Christmas on Ganymede.” I submitted it to him on the twenty-third, but the holiday season did not affect his critical judgment. He rejected it.
I tried Pohl next, and, as was happening so often that year, he took it. In this case, for reasons I will describe later, the acceptance fell through. I eventually sold it the next summer (June 27, 1941, the proper time of year) to Startling Stories, the younger, sister magazine of Thrilling Wonder Stories.

The Billiard Ball by Isaac Asimov

The Billiard Ball by Isaac Asimov (If, March 1967) begins with the narrator describing two chalk-and-cheese scientists: Priss, who is slow-thinking but (two Nobel Prizes) brilliant, and Bloom, whose genius is the practical inventions he creates from Priss’s theories. When Priss then publishes his Two Field Theory (an alternative to a Unified Field Theory) the narrator interviews him and we learn that (a) Priss is jealous of Bloom’s money, (b) their intense rivalry can be seen in their regular billiard games, and (c) Priss’s Two Field Theory suggests that anti-gravity is possible (we get an extended lecture from Priss to the narrator about gravity/mass in the universe being analogous to depressions in a rubber sheet). The interview ends with Priss disparaging Bloom’s chances of creating an anti-gravity machine.
The next part of the story sees the narrator interview Bloom, who seems to be struggling to exploit Priss’s theory. Bloom seems particularly irritated by his failure after Priss’s comments.
The story then concludes a year later, when Priss is invited, along with the Press, to a demonstration of Bloom’s anti-gravity device:

One thing was new, however, and it staggered everybody, drawing much more attention than anything else in the room. It was a billiard table, resting under one pole of the magnet. Beneath it was the companion pole. A round hole about a foot across was stamped out of the very center of the table; and it was obvious that the zero-gravity field, if it was to be produced, would be produced through that hole in the center of the billiard table.
It was as though the whole demonstration had been designed, surrealist-fashion, to point up the victory of Bloom over Priss. This was to be another version of their everlasting billiards competition, and Bloom was going to win.
I don’t know if the other newsmen took matters in that fashion, but I think Priss did. I turned to look at him and saw that he was still holding the drink that had been forced into his hand. He rarely drank, I knew, but now he lifted the glass to his lips and emptied it in two swallows. He stared at that billiard ball, and I needed no gift of ESP to realize that he took it as a deliberate snap of fingers under his nose.  p. 105 (World’s Best Science Fiction 1968, edited by Donald A. Wollheim & Terry Carr)

After an introduction where Bloom gently mocks Priss, the device is turned on (an ultraviolet column of light appears above the hole), and Bloom invites Priss to pot a ball to demonstrate the device. Priss does so, and the ball shoots through Bloom at high speed, killing him.
The remainder of the story describes the theoretical explanation of what happened (massless objects travel at the speed of light), and the narrator concludes by suggesting that, for once, Priss quickly realised how the device worked and deliberately used its effect to kill Bloom.
The main problem with this story is that, given the made-up science and the contrived events, the reader is just along for the ride. Apart from that failing it’s an engaging enough story about academic rivalry.
** (Average). 4240 words. 7,500 words.