Category: Rati Mehrotra

Magnificent Maurice or the Flowers of Immortality by Rati Mehrotra

Posted on by Paul Fraser

Magnificent Maurice or the Flowers of Immortality by Rati Mehrotra (Lightspeed #126, November 2020) concerns a cat and a witch that live in a cottage between the roots of Yggdrasil:

It stands at the nexus of worlds, dark matter coiling around its roots, the rim of the universe held aloft by its ever-expanding crown. Its branches bend spacetime, its cordate leaves uphold the laws of physics, and its tiny white flowers grant immortality.
Let us be more specific. One flower grants immortality, two flowers cause a prolonged and painful death, three flowers the obliteration of an entire species. It does not pay to be greedy.

The story is mostly about Maurice the cat who, apart from having to defend the tree from various interlopers, has other problems to deal with:

Time flows differently here. Maurice is not immortal, and neither is the witch. They are also not as young as they used to be. There are other cats now, milling about the cottage, meowing for the witch’s attention. One day, one of them will take his place.
But not yet. Oh, not yet. Maurice raises his head and casts a yellow-eyed glare at the tortoiseshell that has just landed on the edge of the roof. To his astonishment, she does not retreat. He allows his fur to stand up, his lips to curl away from his sharp white teeth.
“Good morning, Maurice,” she says smoothly. “Surely the roof is big enough for both of us?”
Maurice’s astonishment turns to rage. A mere kitten, challenging his territory! The roof is his. The tree is also his. He will die defending it. The witch knows this, knows how good he is at his job, and yet she has allowed these . . . these . . . children to invade his home!
He rises in all his torn-eared, ragged-furred glory and arches his back, hissing like a storm of bees.
The tortoiseshell regards him, unfazed, out of bright green eyes. “There’s chopped sardines for snack. In case you want to join us.” She turns to leave. “My name is Butterscotch,” she tosses over her shoulder. She leaps down, as silently as she came.

The next part of the tale sees Maurice telling the other cats about his first battle, and how he used one of his nine lives to create a doppelganger that helped him defeat the demon beetles that attacked the tree (we also learn that subsequent battles mean he now has only one life left). Then Time passes: a God visits the tree in an attempt to steal one of its fruit so it can form a new Galaxy; meanwhile, Butterscotch and the other cats bring Maurice treats and try to ingratiate themselves.
The story eventually comes to a climax when a human called Ulhura visits the tree to steal a flower which will grant her dying lover immortality. When Maurice defends the tree, she manages to imprison him in a cage. Maurice is conflicted and does not know whether to use his last life to burst out of his enclosure and attack her, or grant her wish—then, after considering the matter, he decides to offer her a job (the witch is old like him, and would welcome an apprentice). As Maurice and Ulhura discuss the pros and cons of immortality (mostly cons, according to Maurice) and the job offer, the tree is attacked by vampire corpses: Maurice manages to convince Ulhura to release him, and the other cats also join the battle to repel the invaders. All ends well.
This is a charming, if slight, tale. But definitely one for cat lovers.
*** (Good). 4,550 words. Story link.

Knock, Knock Said the Ship by Rati Mehrotra

Posted on by Paul Fraser

Knock, Knock Said the Ship by Rati Mehrotra (F&SF, July-August 2020) opens with Kaalratri, a spaceship AI, asking Deenu a knock-knock joke on a neural link that no-one else can overhear. We then learn that Deenu is on the bridge of the ship trying to work out a course to their destination beyond the asteroid belt (Captain Miral likes to train his crew in various skills). Then, as Captain Miral needles Deenu about her performance, we learn she has been bonded for three years after one of the Kaalatri’s drones rescued her from the wreckage of the colony on Luna.
Deenu is spared further torment when a Peace ship hails them, and its commander, Captain Zhao, tells Miral that they intend to board his ship. When Zhao and his party do so, Miral quickly realises that they are imposters—and he is shot for his trouble. Then, after some backchat, Miral is shot again, but not before he puts the ship into lockdown:

“Override the ship,” snapped Zhao. “You’re next in command, aren’t you?”
“That would be me,” said Lieutenant Saksha, straightening and speaking with an effort. “But I cannot override her. It was the captain’s last order before you…before she…” She paused to swallow. “The ship will lift the lockdown only when she deems the threat is over. You could kill us, but it will serve no purpose.”
“Hey, Ship, can you hear me?” shouted Zhao.
“Yes,” said Kaalratri, her voice remote.
“Would you like me to kill the rest of your crew? We can start here, with these officers. Then we’ll break down your door and go for the rest of them. Would you like that, eh?”
“Would you like to hear a joke?” said Kaalratri.
“What?”
“Knock knock,” said the ship.
“The fuck is wrong with you?” screamed Zhao.
“You are supposed to say, who’s there,” said the ship.  p. 17

The rest of the story sees Deenu overhear Zhao talk to the rest of his crew in Lunarian, and she realises they are refugees like herself. Deenu pretends to sympathise with them, and takes the group to the supplies they want. As they walk to the main bay (spoiler), Deenu hatches a plan with Kaalatri on her neural link and the latter organises an ambush. They are successful, the Captain and First Officer are still alive and are treated, and Deenu is rewarded by having her debt written off.
The plot of this is too straightforward, and the story also tries to have its violence cake and eat it (the gunshot injuries to the Captain and First Officer are severe but both recover), but, that said, the interaction between Deenu and the joke-telling computer is quite entertaining, and the story has an interesting setting.
*** (Good). 5,700 words.