Category: Carrie Vaughn

The Burning Girl by Carrie Vaughn

The Burning Girl by Carrie Vaughn (Beneath Ceaseless Skies #340, 7th October 2021) opens with three knights arriving at an abbey, and a teenage girl called Joan being brought before them:

[One] of the nuns ran back to the hall and returned with an unlit candle, one of the big beeswax ones used to light the chapel sanctuary. I knew what this meant: these knights had demanded a demonstration. At the sight of that candle, I nearly cried. I did not understand, did not want to understand, but I knew what was happening.
Ursula held the candle to me. “You must show Sir Gilbert what you are.”
“Mother Abbess, you said that I must never—”
“That doesn’t matter.”
“But you said that I would be damned—”
“Joan! If you do not do this for Sir Gilbert, the Norman army will destroy the abbey and all of us with it. Please.”
Mother Ursula did not have to beg for anything, particularly not from a low-born novice placed here out of charity and fear. A scrawny, awkward novice, coifed and shrouded in threadbare gray and carrying the Devil’s spark. But she begged now.
I held the candle before me where the Normans could see it. Its weight was potential; the wick beckoned. Already the spark rose up under my skin. Mother Ursula could not put a candle in my hand and expect I would do nothing.
I touched the wick. The candle lit, a tongue of fire flaring and settling.
“Mon Dieu.” This was whispered by the wiry, chestnut-haired man standing to Sir Gilbert’s right. The nuns made the sign of the cross.
Sir Gilbert smiled.

Joan leaves with the Sir Gilbert and the other two and, when they get back to his camp, she sees that he has gathered several other paranormals into his company: Ann (who was one of the two “knights” with Gilbert) can split the ground; Isabelle can control the weather; Ibrahim can talk to the birds; and Felix can run very quickly. The next day they travel to see William (the Conqueror) and, when Joan is presented to him, she spectacularly demonstrates her powers by setting a nearby haycart ablaze. This leads to William giving Gilbert and the paranormals the task of taking the city of York.
The last section of the story details the battle at York and (spoiler) their eventual victory. Then, afterwards, William’s men attempt to kill Gilbert and the others because of the threat they pose. However, after the group fight off the attack, Gilbert goes to see William and gets a reprieve and land in Wessex.
This is a readable enough piece but it is essentially the Norman Conquest redone with superheroes, and, like most superhero tales, the story has a number of overfamiliar elements: (a) misfits bond with other misfits; (b) there is lots of fighting; and (c) there is little sense of peril for the reader as it seems fairly obvious that the group’s powers will deliver them to safety. And, when that fails, William can always change his mind at the end of the story.
Not a bad piece, but it is somewhat formulaic and consequently a little uninvolving.
** (Average). 10,650 words. Story link.

Sinew and Steel and What They Told by Carrie Vaughn

Sinew and Steel and What They Told by Carrie Vaughn1 (Tor.com, 26th February 2020) opens with a scout-ship pilot called Graff who is nearly cut in half:

My biologics are mostly shut down with shock, though I’m dutifully trying to monitor the pain. It’s all-enveloping, a fist squeezing my brain. My mechanics are in full self-repair mode, overheating because there’s so much to knit back together. Because of them, I have survived long enough that I will probably not die. This is going to be awkward.
From my own internal processor I send out an emergency signal to piggyback on ship comms, so that maybe someone can come and explain.

Graff manages to get back to the ship after the accident and, before he passes out, he realises that the medical crew see that he is a cyborg.
When Graff next recovers consciousness he is in drug-induced and physical restraint, and is questioned by the ship’s doctor, Ell (who is also his lover), and Captain Ransom. After they leave him, Graff recalls various memories he has sent back to a group of other AIs who have secretly sent cyborgs like Graff out into the universe to accumulate memories of what it is like to travel, and be human, etc.
The rest of the story (spoiler) sees further sessions where the three meet, during which Graff attempts to explain who and what he is, and how he is not a threat to them or the ship. Eventually he succeeds, and the final scene has Ell remove the nerve block that incapacitates him. A woman called Tek also appears, a cyborg summoned by the message Graff sent immediately after the accident (which was initially detected and blocked by Captain Ransom but later allowed through). Graff downloads his memories to Tek, and Ransom and Ell agree to keep Graff’s secret.
This is a slickly told piece but the ending, especially the captain’s actions, stretches credulity (even if Graff had been a loyal crewmember for some time previously).
** (Average). 4,400 words. Story link.

1. I see this story has a prequel: An Easy Job.

The Best We Can by Carrie Vaughn

The Best We Can by Carrie Vaughn (Tor.com, July 2013) starts with the narrator discussing the discovery of UO1, an unidentified alien craft that is discovered in our solar system, and the bureaucracy that delays the an announcement to the world:

In the end, the discovery of evidence of extraterrestrial life, and not just life, but intelligence, got hopelessly mucked up because no one wanted to take responsibility for confirming the findings, and no one could decide who ultimately had the authority—the obligation—to do so. We submitted the paper, but peer review held it up for a year. News leaked—NASA announced one of their press conferences, but the press conference ended up being an announcement about a future announcement, which never actually happened and the reporters made a joke of it. Another case of Antarctic meteorites or cold fusion. We went around with our mouths shut waiting for an official announcement while ulcers devoured our guts.

Eventually, the narrator releases the news, and the rest of the story is about her further struggles to get a mission to go to the object and drag the (apparently dead) ship into a more manageable orbit so humanity can investigate. She is (spoiler) completely unsuccessful in her various efforts, to the extent she doesn’t even manage to get a JPL probe retasked to take better photographs. By the end of the piece she is reduced to writing a proposal for a Voyager-type probe to be sent to the origin of the object.
This well enough done examination of the inertia and bureaucracy of big organisations, but it is fatally flawed in at least three ways: first, it beggars belief that the militaries of both the USA and China, and perhaps others, wouldn’t be all over the craft; second, it is ultimately a story where nothing happens; third, the back end of the piece seems to be as much about her finding meaning in her life as much as it is about the UO1, and so splits the story’s focus.
** (Average). 4,500 words.