Do You Remember by Steven Rasnic Tem (Asimov’s SF, March-April 2022) opens with an elderly man called Roy going to the topmost room in his house to speak to a screen simulation of his dead wife Susan. After we witness a few of the, sometimes imperfect, conversations between the two, Roy’s daughter Elaine (who is cool on the simulation idea) visits along with granddaughter Jane and a baby grandson.
When Jane asks to go up and see her grandmother, Elaine isn’t keen, but she allows her to go. While Jane is upstairs, Elaine asks her father some difficult questions:
Elaine gazed at the infant, stroking his hair. “Does it cost a lot, the maintenance, the remote storage, whatever’s involved?”
“I can afford the fee. You remember, I was good with a budget.”
“Did she even want this?”
He wasn’t sure how to answer. “You knew your mother. She wanted me to have anything that might help me, or any of us. Otherwise, all I can say is the idea didn’t seem to bother her much.”
“Because she wouldn’t be aware of it. She’d be gone.” She leaned over and smelled the baby’s head.
He watched the child stir, fuss, then go back to sleep. “I think—” He stopped. “That’s right. She’d be gone.”
Elaine turned her head away from her son to look at him. “Dad, after you die, am I supposed to keep her, put her someplace in my house and visit her like you do, pay for all that? Is that what I’m supposed to do? And then am I supposed to keep both of you around after you die? Am I supposed to like having ghosts in my house?”
Roy hadn’t considered any of this. He should have. “It’s okay, honey. You’re free to do whatever you need to do for you and your family.”
“You make it sound like it’s not going to be hard.” p. 155
When Jane comes downstairs she tells her mother that simulation-Susan would like to see her and the baby. Elaine and the grandson go upstairs.
The story then skips forward a generation to a time when the granddaughter Jane has her own children, and is taking them to Memorial Plaza. We learn that this is a place where people can talk to various historical figures, and where her children will be able to talk to their great-grandparents Susan and Roy. At the end of the story Jane’s children ask if they can also talk to their grandmother Elaine (Roy’s reluctant daughter): Jane tells them that their grandmother didn’t want to leave a simulation behind after she died.
This has an impressively contemplative first half, but the second part doesn’t really go anywhere—the reveal of Elaine’s refusal to do the same as her parents isn’t really enough to complete the story other than in a cursory fashion. I couldn’t help but think that this is the seed of a longer, and more profound and satisfying, story.
** (Average). 4,200 words.