Month: January 2024

Five Fathoms of Pearls by James H. Beard

Five Fathoms of Pearls by James H. Beard (Unknown, December 1939) opens with Peter Hume staring at a wall in his house as if he can see something there. He subsequently goes out and rides through the wind and rain and dark to an inn, where he finds a cousin of his called Allen Dorn. Hume tells Dorn to return to the house with him, a property that was once owned by a witch, Elsie Dorn, a grandmother to both men.
Inside the house Dorn sees that the wall which Hume was staring at has a window which shows a sundial in the distance illuminated by moonlight—quite a different view from the other window in the room that shows the rain that they have just ridden through. While all this is unfolding we also learn about (a) a ship that the cousins pirated for gold and whose skipper they drowned, (b) a note from Grandmother Elsie about a chest at the foot of a sundial containing a string of pearls five fathoms long, and (c) instructions to look after a relative called Harriet Dorn, or suffer her vengeance (needless to say, neither of the men have done so).
The final part of the story sees the two climb through the window to get the chest but, during their journey, they see two dead girls from the ship pass by on a lane before seeing the cutlass wearing captain. The captain stares at the men but is scared off by the returning girls. By now the men have recovered the pearls and flee when the girls approach and touch them. Dorn falls but Hume makes it to the window. Then (spoiler), Dorn shoots Hume so he won’t be stranded outside the window. When Dorn reaches the window Hume uses his remaining strength to stab him.
There are too many moving parts here for such a short story (the pirating of the ship, the supernatural window, Harriet Dorn, etc.), and the ending is too abrupt. I’d also add that the men’s downfall is down to their own distrust and has little to do with the vengeful dead grandmother.
* (Mediocre). 3,900 words. Story link.

Johnny on the Spot by Frank Belknap Long Jr

Johnny on the Spot by Frank Belknap Long Jr. (Unknown, December 1939) starts with the hard-boiled narrator describing his involvement with another man in a fatal shooting in an alley. The narrator then hides out in a dance hall where he overhears a ruthless older blonde telling a younger woman she is going to take her boyfriend from her. The man later dances with the blonde, who eventually (spoiler) realises that the man is Death. At this point we realise that his involvement with the death in the alley was his presence (“in the end I meet up with practically everyone”).
A slight, one-shot piece—but effective enough.
** (Average). 1100 words. Story link.

The Scalar Intercepts by Michael Cassutt

The Scalar Intercepts by Michael Cassutt (Asimov’s SF, January-February 2024) is a brief bit of ideation more than a story, and one which sees an AI report back to other AIs about the seven hundred or so humans left alive on Earth (there had been a past conflict between the two). The AI then reveals a discovery:

My research shows that, in addition to these kinetic processes, Objects possess a consciousness of their own. Yes, the Sun, other stars, the major planets including our own, and minor planets above a certain mass, are beings as self-aware and intelligent as any we know.
Organics and even Agents like us reside on the short or micro side ofthe lifespan scale. These space-based beings are on the macro side, living millions of years, and their communications take place at such a slow rate—one bit a year, for example—that I have chosen to call them Scalar Sentiences.
My apparently radical discovery, based on extensive analysis and translation of the Scalar intercepts, a process that has consumed energy for the last four hundred and thirty years, confirms that Scalars are hostile to our existence. p. 161

The piece ends with the news (spoiler) that the Scalars have sent asteroid hurtling towards Earth and the AIs will not survive.
* (Mediocre). 1050 words.

The Adherence by Jeffrey Ford

The Adherence by Jeffrey Ford (Asimov’s SF, January-February 2024)1 begins with an old man called Phil meeting a long lost female acquaintance called Dierdre in “The Crumble”. As they talk we learn that Phil lost his wife because of the effect of ubiquitous cheap products produced by a company called Adherent Corp.:

“She disintegrated.”
“Oh, my god, I’ve heard about that. Did you guys go in for all that cheap stuff?”
“I’m embarrassed to say it, but yeah. We had scads of it. It was just so fuckin cheap,” he said. “Couldn’t see spending top dollar on a bed frame or dresser when you could get either for a couple of bucks. Come on, a five-dollar television. You can’t beat it. We had everything.”
“I read that if you have a lot of the stuff from Adherent Corp., that it can set up a resonance field in your house,” said Dierdre.
“Not only that, but if there’s someone living there who’s suffering from depression, the particular atomic resonance of the victims of that disease can act as a catalyst, weakening the atomic bonds that hold together Adherent’s flimsy crap. The resonance of their merchandise disintegrating in turn affects the atomic bonds of the stricken, like Lily. One afternoon, in early autumn, when a cold breeze lifted the curtain and came through the screen of our bedroom window, I was walking down the hall, and the door was open. Lily was folding damp clothes from the half-assed dryer, and humming the song ‘Three Little Words.’ Just like that, she turned into mist, and that mist kept her form for a moment until the wind rolled through the room and dispersed her.”
“How long until you realized that having all that cheap stuff wasn’t worth it?”
“It took me a few days to wake up to the fact of what happened. I mean, back in the day, when we met, when we got married, who had any clue that someday, if you lived long enough, you might see your spouse vanish like the Easter Ghost. But eventually, yeah, it was clear we’d made our world from whatever tawdry substance went into making all of Adherent’s fine products. In the process it cost Lily her life.” p. 66

After this unlikely dollop of explanium/anti-materialism, the pair go to Deirdre’s house. There she tells him about Ronaldo, her ex, who is part of a religious cult called the Easterners. Apparently the “Easter Ghost” materialises at their services and has been known to reincarnate vanished people.
The last part of the story (spoiler) sees Deirdre arrange to have Ronaldo and the Easter Ghost come to her apartment. After they arrive (the Easter Ghost wears a three-piece suit of green and yellow, holds a stalk of yellow gladiolas, and floats a foot above the floor) Phil agrees to pay a thousand bucks to have his wife brought back. The Easter Ghost whizzes around the kitchen while Phil thinks of her, and then he wakes at a cash machine with Deirdre and Ronaldo. After they shake him down for the money he goes home to find his wife in his apartment. They make love but, after they finish, Phil discovers she is an Adherent Corp. copy.
This is a strange, dream-like story that doesn’t amount to much. Presumably it is making some sort of point about materialism, but what that might be is unclear (other than the obvious observation everyone makes about materialism).
* (Mediocre). 3,600 words.

1. The last sentence doesn’t have a full stop: “She put her arms out to him and tried to say his name, but in the jostling, her speakers had shorted”—I don’t know if this is intentional, poor proofing, or whether there is missing text.