Tag: Michael Cassutt

The Scalar Intercepts by Michael Cassutt

The Scalar Intercepts by Michael Cassutt (Asimov’s SF, January-February 2024) is a brief bit of ideation more than a story, and one which sees an AI report back to other AIs about the seven hundred or so humans left alive on Earth (there had been a past conflict between the two). The AI then reveals a discovery:

My research shows that, in addition to these kinetic processes, Objects possess a consciousness of their own. Yes, the Sun, other stars, the major planets including our own, and minor planets above a certain mass, are beings as self-aware and intelligent as any we know.
Organics and even Agents like us reside on the short or micro side ofthe lifespan scale. These space-based beings are on the macro side, living millions of years, and their communications take place at such a slow rate—one bit a year, for example—that I have chosen to call them Scalar Sentiences.
My apparently radical discovery, based on extensive analysis and translation of the Scalar intercepts, a process that has consumed energy for the last four hundred and thirty years, confirms that Scalars are hostile to our existence. p. 161

The piece ends with the news (spoiler) that the Scalars have sent asteroid hurtling towards Earth and the AIs will not survive.
* (Mediocre). 1050 words.

Aurora by Michael Cassutt

Aurora by Michael Cassutt (Asimov’s SF, March-April 2022) begins with Vera Vorobyova, the seventy-nine-year-old retired director of a Russian “science institute” north of the Arctic Circle, summoned to a meeting at her old workplace. When she gets there she is met by the new director, Nikitin, a “networked” individual who has implants that connect him to his colleagues. Nikitin tells Vorobyova that a returning spaceship is in trouble and doesn’t have the fuel to avoid an asteroid on its route. He then asks about Search, a mothballed energy beam weapon used once over two decades ago when she was the director (and which created a new crater on the Moon).
The rest of the story sees Vorobyova help them get Search operational to fire at the asteroid, an experience which sees her pendulum from providing essential information (she initially finds hardcopy manuals in the basement when she learns the digital archives have been deleted) to being completely ignored. During the latter periods she goes back to her flat, drinks heavily, and thinks about the past:

She was [. . .] unhappy, questioning everything from her constant drinking and lack of goals to every decision she had made since the age of twenty-nine, including her turn away from research to administration, then every financial and personnel choice she had made on her path to the directorship—and as director.
She had not applied to work at Aurora. She was busy at the Institute for Applied Physics in the capital and expected to spend her entire career there. She had only heard of Aurora because its northern sky surveys had appeared in some popular science publication.
[. . .]
Other than a single visit for her mother’s funeral, she had not returned to the capital, [and] aside from two fleeting, furtive affairs, Vera had made no deep personal connections in forty years.  pp. 107-108

Vorobyova is, however, more proactive than this sad-sack description might suggest and, after some more back and forth (she later provides a firing code), Vorobyova realises, when she looks at photographs of the asteroids flat surface (spoiler), that it may reflect back enough of Search’s electromagnetic energy to affect Nikitin and the other networked humans. With the clock ticking down she then struggles to contact him or get into the facility.
The story eventually ends with her and Nikitin firing the device after the others are evacuated, and saving the ship. The reflected energy mostly lands elsewhere, and Nikitin’s companions are affected but they can be repaired. Nikitin then tells Vorobyova that there is now no longer an age limit on the process so she can be networked too.
The best parts of this story for me were the setting, Vorobyova’s alcoholic melancholy, and the initial part of the plot. The latter part of the story, where the suspense increases, seemed a little formulaic; I also didn’t entirely buy the science (the Earth would have moved in space during the time between firing and the reflection); finally, the revelation that Vorobyova can be networked and lead a different life is a twist too far. Still, it’s not a bad read for the most part, especially if you have a penchant (as I do) for gloomy Russian novels.
*** (Good). 11,750 words.