Tag: Anti-capitalism

The Empty by Ray Nayler

The Empty by Ray Nayler (Asimov’s Science Fiction, November-December 2022) opens with Sal seeing a motionless red dot on her screen—one of her remotely supervised self-driving trucks has broken down.
The rest of the first half of the story describes Sal’s uncertain unemployment (she is continually assessed by Amazon-like metrics and there are lots of other people waiting to take her job), her location (she works in a portacabin complex in the car park of an abandoned Wallmart carpark in the middle of nowhere, presumably because of the tax breaks), and her possible future (when she goes to see her supervisor about the breakdown, she learns she is about to be promoted).
When Sal subsequently uses the truck’s remote bee- and monkey-like drones to remotely inspect the damage, she sees that the truck has hit a drone:

There really wasn’t much left of that thing. Her truck must have been the third or fourth one to hit it. Something that small, it would barely register on their sensors.
The trucks weren’t going to slam on the brakes for every jackrabbit that launched itself into their grills. Sal heard the stories from the drivers who had worked their way up from the service depots: You power-washed a lot of gore off these things. Blood, bits of bone, quills, hooves, and antlers. At two hundred kilometers an hour, at least it was over quickly for the animals.
The trucks were failsafed to spot humans near the road and brake—but she’d heard things. And they weren’t going to stop for anything, human or otherwise, out here on U.S. 50. This was the Empty. Population density below the safety threshold. The trucks automatically turned the failsafe off. Whoever lived out here (did anyone live out here?) knew you’d better look both ways when you cross these roads. And look again.
White paint, though. She’d never seen that.  p. 68

Then, while she waits for the repair truck to arrive, she walks the monkey over to a deserted diner—and sees “HELP” written on the one window that isn’t boarded up, with a handprint pointing into the desert.
The rest of the second half sees Sal go to investigate, all the while worrying about the cost that she is incurring (after she has used the allotted amount of time for inspecting the damage, Sal’s company starts charging her). Eventually (spoiler), Sal finds the remaining survivor of a nearby, unattended retirement settlement (we learn that the drone the truck crashed into is actually the settlement’s medical bot).
The story ends with Sal calling for a rescue drone, and later being let go by her employers. She subsequently gets a thank-you message from the woman she saved.
This story has a very convincing near-future setting—there is a wealth of throwaway, Heinleinesque detail about this increasingly automated society—but the capitalist excesses (paying for a SAR drone, being laid off for saving someone’s life) almost stretch credulity to breaking point, as does the rescued woman’s comment about never being able to repay Sal. Well, the woman could say she was going to leave her estate to Sal for saving her life—but, of course, that would ruin the tale’s miserablist finger-wagging about dystopian capitalism. This latter spoils the story somewhat.
(**+) Average to Good. 5,600 words. Story link.

Behind Our Irises by Tlotlo Tsamaase

Behind Our Irises by Tlotlo Tsamaase (Africafuturism, 2020) opens with the unemployed female narrator getting a new job—but one which later has a catch:

Every eye in our firm runs surveillance programs behind its pupil. Connected through the authenticated enterprise cloud network to the central servers of the Firm. Able to detect corporate theft, infraction, abuse of work assets and more. Much more. I knew about the eyes but I only noticed the holes in our necks, stabbed into the jugular, into the carotid artery in that unsurveilled split second when my black pupils blinked silver and then back to black as the company automatically upgraded me. In that fraction of a second, when all their restraints loosened, I tried to scream.

The story charts the narrator’s journey from unemployed to intern to nanotech-injected corporate slave—an in-your-face and nuance free anti-capitalist tale (“Each one of us a well-oiled cog of the workplace machine”, etc.) which unconvincingly over-dramatizes the dystopian aspects of corporate jobs.
* (Mediocre). 4,300 words. Story link.