Tag: Avatars

The Empty by Ray Nayler

The Empty by Ray Nayler (Asimov’s Science Fiction, November-December 2022) opens with Sal seeing a motionless red dot on her screen—one of her remotely supervised self-driving trucks has broken down.
The rest of the first half of the story describes Sal’s uncertain unemployment (she is continually assessed by Amazon-like metrics and there are lots of other people waiting to take her job), her location (she works in a portacabin complex in the car park of an abandoned Wallmart carpark in the middle of nowhere, presumably because of the tax breaks), and her possible future (when she goes to see her supervisor about the breakdown, she learns she is about to be promoted).
When Sal subsequently uses the truck’s remote bee- and monkey-like drones to remotely inspect the damage, she sees that the truck has hit a drone:

There really wasn’t much left of that thing. Her truck must have been the third or fourth one to hit it. Something that small, it would barely register on their sensors.
The trucks weren’t going to slam on the brakes for every jackrabbit that launched itself into their grills. Sal heard the stories from the drivers who had worked their way up from the service depots: You power-washed a lot of gore off these things. Blood, bits of bone, quills, hooves, and antlers. At two hundred kilometers an hour, at least it was over quickly for the animals.
The trucks were failsafed to spot humans near the road and brake—but she’d heard things. And they weren’t going to stop for anything, human or otherwise, out here on U.S. 50. This was the Empty. Population density below the safety threshold. The trucks automatically turned the failsafe off. Whoever lived out here (did anyone live out here?) knew you’d better look both ways when you cross these roads. And look again.
White paint, though. She’d never seen that.  p. 68

Then, while she waits for the repair truck to arrive, she walks the monkey over to a deserted diner—and sees “HELP” written on the one window that isn’t boarded up, with a handprint pointing into the desert.
The rest of the second half sees Sal go to investigate, all the while worrying about the cost that she is incurring (after she has used the allotted amount of time for inspecting the damage, Sal’s company starts charging her). Eventually (spoiler), Sal finds the remaining survivor of a nearby, unattended retirement settlement (we learn that the drone the truck crashed into is actually the settlement’s medical bot).
The story ends with Sal calling for a rescue drone, and later being let go by her employers. She subsequently gets a thank-you message from the woman she saved.
This story has a very convincing near-future setting—there is a wealth of throwaway, Heinleinesque detail about this increasingly automated society—but the capitalist excesses (paying for a SAR drone, being laid off for saving someone’s life) almost stretch credulity to breaking point, as does the rescued woman’s comment about never being able to repay Sal. Well, the woman could say she was going to leave her estate to Sal for saving her life—but, of course, that would ruin the tale’s miserablist finger-wagging about dystopian capitalism. This latter spoils the story somewhat.
(**+) Average to Good. 5,600 words. Story link.

Elsewhere by James S. A. Corey

Elsewhere by James S. A. Corey (Avatars Inc., 2020) opens with the narrator arriving at a hospital to see her dying father. She isn’t there in person but as an avatar (a robotic telepresence). As she talks to her father it becomes apparent that she is using this method of visiting because she is almost totally paralyzed, and has been since she was a child. We also learn that, when it became apparent she was never going to recover, she was introduced to virtual reality games and eventually managed to attend architectural college and graduate. Now, by the use of avatars, she works all over the world.
The last part of the story sees her watch her father pass away. There is a good penultimate line:

And how strange it is that, in just a few minutes, there will be two bodies in this room whose consciousness had left them to go elsewhere.  p. 41

A slight piece—but it has a neat idea, and the elegiac feel at the end is well enough done.
*** (Good). 3,600 words. Story link.