The Memcordist by Lavi Tidhar (Eclipse Online, December 2012) is one of his ‘Solar System’ series, and it gets off to an evocative start:
Beyond the dome the ice-storms of Titan rage; inside it is warm, damp, with the smell of sewage seeping through and creepers growing through the walls of the above-ground dwellings. He tries to find her scent in the streets of Polyport and fails.
Hers was the scent of basil, and the night. When cooking, he would sometimes crush basil leaves between his fingers. It would bring her back, for just a moment, bring her back just as she was the first time they’d met.
Polyphemus Port is full of old memories. Whenever he wants, he can recall them, but he never does. Instead he tries to find them in old buildings, in half-familiar signs. There, the old Baha’i temple where they’d sheltered one rainy afternoon, and watched a weather hacker dance in the storm, wreathed in raindrops. There, what had once been a smokes-bar, now a shop selling surface crawlers. There, a doll house, for the sailors off the ships. It had been called Madame Sing’s, now it’s called Florian’s. Dolls peek out of the windows, small naked figures in the semblance of teenage boys and girls, soft and warm and disposable, with their serial numbers etched delicately into the curve of a neck or thigh. His feet know the old way and he walks past the shops, away from the docks and into a row of box-like apartments, the co-op building where they’d first met, creepers overgrowing the walls and peeking into windows—where they’d met, a party in the Year Seventeen of the Narrative of Pym.
He looks up, and as he does he automatically checks the figures that rise up, always, in the air before him. The number of followers hovers around twenty-three million, having risen slightly on this, his second voyage to Titan in so many years. A compilation feed of Year Seventeen is running concurrently, and there are messages from his followers, flashing in the lower right corner, which he ignores.
This last part sets out the story’s stall, which is that the protagonist has, since birth, had his life continually televised to a mass audience of “followers” as the “Narrative of Pym”. Think The Truman Show with an aware central character set in an exotic solar system.
This audience, when he is seventeen, watch him meet his true love and then, when she later leaves him, his continual search for her across various planets and moons until the day he dies. The story jumps about chronologically, so it may very well be a lifetime compilation feed, similar to the one mentioned above.
It is a wonderfully descriptive piece, and it packs a lot into its four thousand-odd words:
But Pym likes Tong Yun. He loves going down in the giant elevators into the lower levels of the city, and he particularly loves the Arcade, with its battle droid arenas and games-worlds shops and particularly the enormous Multifaith Bazaar. Whenever he can he sneaks out of the house—they are living on the surface, under the dome of Tong Yun, in a house belonging to a friend of a friend of Mother’s—and goes down to Arcade, and to the Bazaar.
The Church of Robot is down there, and an enormous Elronite temple, and mosques and synagogues and Buddhist and Baha’i temples and even a Gorean place and he watches the almost-naked slave girls with strange fascination, and they smile at him and reach out and tousle his hair. There are Re-Born Martian warriors with reddish skin and four arms—they believe Mars was once habituated by an ancient empire and that they are its descendants, and they serve the Emperor of Time. He thinks he wants to become a Re-Born warrior when he grows up, and have four arms and tint his skin red, but when he mentions it to Mother once she throws a fit and says Mars never had an atmosphere and there is no emperor and that the Re-Born are—and she uses a very rude word, and there are the usual complaints from some of the followers of the Narrative of Pym.
If I have one minor criticism (spoiler) it is that the slightly abrupt death scene could have been foreshadowed a little before it happens (although I was expecting it from early on in the story).
**** (Very good). 4, 650 words.