Tag: 1*

The Same Old Story by Anya Ow

The Same Old Story by Anya Ow (Asimov’s SF, March-April 2021) opens with the narrator programing her food machine as she remembers her grandmother making onde-onde:

Grandmother combined the flour with pandan juice from the blended waxy leaves we grew from her planter box, kneading it gently. Her gnarled hands twitched hungrily over the pots, steaming coconut, pinching out pieces of rested dough, and filling the center of each flattened disc with a thumb of gula melaka. The water she used to boil the rested dough had been distilled and recycled from household wastewater the day before. The smooth rice balls floated to the thrumming surface in restless jerks. They looked like balls of phlegm spat into the pot by the dying, restlessly jockeying for attention. Not appetizing in the least. I stared at my feet and wished I was elsewhere as Grandmother removed the rice balls with a slotted spoon and coated them in a bone-white dusting of grated coconut.
The kuih was hot to the touch, the palm sugar bursting on my tongue. My four-year-old self had been gearing up to throw an ice-cream tantrum, but I now sat stunned on my stool, chewing slowly. I decided that I did not like it. When I looked over to my grandmother to complain, I was startled to see that she had closed her eyes. Tears pursued themselves down the timeworn grooves of her face. My resentment fled. We sat and ate in silence, mourning her memory of old Singapore. I wrote the mourning into my gula melaka, twisted my grandmother’s unresisting grief into its moreish sweetness.  pp. 72-73

The rest of the story sees the narrator enter a cooking competition judged by world leaders in a Post Collapse world. She (spoiler) loses to a French chef’s imitation of a dish that she intended to present (there is probably some authentic vs. adapted or cultural appropriation point being made here).
If you like the passage above, there is more over-described food and angst here for you. I found it made for dull reading.
* (Mediocre). 3,450 words.

The Gold Signal by Jack McDevitt & Larry Wasserman

The Gold Signal by Jack McDevitt & Larry Wasserman (Asimov’s SF, March-April 2022) opens with the English teacher narrator and her scientist friend (they were in the Girl Scouts together) listening to an incoming message from a probe that has arrived at Proxima Centauri, four light-years away, after a twenty-three year journey. At the end of this section there is a moan about the amount of space junk in Earth orbit, and how it is hampering—and possibly preventing—any further missions (there have already been catastrophic accidents).
The next part of the story sees the scientist friend develop an FTL drive that is eventually tested on a flight to Jupiter (they use a previously abandoned probe in Earth orbit rather than ship all the parts up there). More complaints about space junk. The FTL ship, after a successful test flight, later sets off towards a plant called Wolf.
When the ship arrives there (spoiler), Earth (eventually) receives messages saying that they have discovered an abandoned alien ship, and then abandoned alien cities and planets. There is one final moan about space junk before the scientist observes, “It’s kind of like having invented the radio in a place that has no electricity”.
What is the point of this?
* (Mediocre). 4,150 words.

Before Willows Ever Walked by Tom Godwin

Before Willows Ever Walked1 by Tom Godwin (F&SF, March 1980) begins with Jake Derken experiencing, not for the first time, the lash of a Joshua tree’s branch as he returns to his house from the mail box. He then goes in to tell the other occupant of the house, Joe Smith, that there isn’t a letter from his granddaughter. We subsequently learn that (a) Smith is the alcoholic, dying house guest of Derken, (b) Derken is attempting to inherit Smith’s estate by isolating him from his grand-daughter, and (c) Derken hates Joshua trees.
After the two men discuss whether plants have feelings, and whether the Joshua tree might have sensed Derken’s antipathy towards them, a letter falls out of the pile of circulars. Smith sees it is from his granddaughter, and quickly opens and reads it.
Derken then has to work fast to preserve his scam: he pretends to phone the daughter but tells Smith line isn’t working and that he’ll go into town to call her. When Derken later goes out he is given a letter and cheque to post to the granddaughter, but he stops in the desert and burns it. Then, as he walks back to the car, he gets hit by a falling Joshua tree branch. Derken rages at the tree and then stamps on a young offspring nearby.
The rest of the story works through various plot developments (spoiler): Smith stops drinking so Derken starts adulterating all Smith’s food and drink with vodka to hasten his demise; several days later, Smith dies (but not before realising what Derken has been doing); Derken then waits for the will to go through probate while avoiding the surrounding Joshau trees, which seem to be getting closer to the house; finally, another letter arrives from the granddaughter saying she has scraped together enough cash to send a PI to find out what has happened to Smith.
The climactic scene sees Derken rush to the bank to get the money and flee but, at the place he stamped on the young Joshua tree, he crashes his car and is trapped in the wreckage. Then the adult tree speaks to Derken “in his mind” while it summons a lightning storm (the fact that Joshua trees can do this has been suggested in an earlier conversation). The lightning then strikes the Joshua tree, which falls on Derken and kills him.
I don’t think that my disbelief was suspended for even a single moment by this story’s silly premise and, even if it had been, the car crash at the end is far too convenient.
* (Mediocre). 7,000 words.

1. The title comes from a superstition which suggests there was once a time when willow trees could walk at night.

Synthetic Perennial by Vivianni Glass

Synthetic Perennial1 by Vivianni Glass (Tor.com, 22nd February 2022) has K’Mori, the narrator, restrained in a hospital after undergoing surgery. We soon learn that:

I am the first person in modern history to have ever been scientifically resurrected. Excuse me: revitalized. “Resurrection” is a religious and political minefield. I don’t understand the specifics of the procedures; I just know that I have four different people’s organs in me, and my new pancreas allows me to proudly say that I am a cyborg.

A kind nurse, Lillian, arrives later and, the next day, she puts K’Mori in a wheelchair and they roam about the hospital. During this excursion Lillian asks K’mori if she is going to reply to a boy who has contacted her; we also get a dribble of backstory. At the end of their walk, they see K’Mori’s “followers” on the streets outside the hospital.
The rest of the story (spoiler) sees K’Mori dream about her cousin Kenny, who brings her something in a box and tells her that they won’t let her go. K’Mori awakes from this to discover (I think) that she is having a medical emergency during an attack on the hospital.
This is a fragmentary piece that is little more than a set-up and climax. There is no real plot, or development or examination of the story’s gimmick.
* (Mediocre). 4,750 words. Story link.

1. This placed third in the “LeVar Burton Reads writing contest, as co-presented by FIYAH Literary Magazine and Tor.com!”

Fruiting Bodies by Kemi Ashing-Giwa

Fruiting Bodies by Kemi Ashing-Giwa (Tor.com, January-February 2022) has an inchoate start that has the narrator, who is from a generation ship whose crew appears to have settled an inhospitable volcanic planet, looking for a woman called Morayo. There is also mention of the arinki, (indigenous?) creatures who come out at night.
As the narrator searches for Morayo, she comes upon one of the other ship members who has been infected with a planetary fungus and is dying:

“How long?” Eranko asks after a moment.
“Turn around.”
He does as I ask, and I carefully pull aside the few lank bits of reddish-blond hair he has left. I run my fingers over his skull—there.
A round, almost imperceptible bump. The pileus of a fruiting body preparing to pop his head open.
I was a mycologist, Before. The transmission and development of the contagion are quite similar to those of the entomopathogenic Earth fungus Ophiocordyceps unilateralis, only differing in minor ways. The zombie ant fungus, it was called. The colonists had hoped I would be able to save them, given my expertise.
“A fortnight, at most,” I tell him.
Eranko gives a shallow, croaking sigh. The infiltrating mycelium has begun to decompose his lungs. Less than a week, then.

The narrator (spoiler) eventually arrives at the settlement and rescues Morayo. During this episode she kills four men and we learn that she has been given a serum developed by Morayo, which has adapted her to the planet (although the narrator is accused by the men of being one of “them” before the killing starts).
Then the story abruptly stops.
This piece could definitely do with another draft, especially sentences like this one:

But the greatest of our reproductive technology died with the Before, so I suppose it would be more accurate to say that only a piece of me is their future to them.

What? I also note that the “Great Filter” idea is clumsily introduced at the start of the piece, in the first paragraph and then the third. It would have been be clearer to link these: “Ancient Scientists called this the Great Filter. Our Great Filter was the arinkiri—the night walkers.” But what we get is the first sentence in the first paragraph and then the Great Filter idea appearing again after a wodge of terrain description in the third:

“But now, those of us still living call our species’ Great Filter the arinkiri—the night walkers.”

This story is unpolished, unclear (probably because there is too much going on in its short length), and it ends abruptly. There are a couple of reasonable body horror scenes (see above) but this is one that should have been left in the slush pile.
* (Mediocre). 2,700 words. Story link.

The Four Spider-Societies of Proxima Centauri 33G by Mercurio D. Rivera

The Four Spider-Societies of Proxima Centauri 33G by Mercurio D. Rivera (Analog, March-April 2022) sees a rather callow young man involved in four first contact scenarios on a planet of alien spiders. During the first he accidentally punches a Rantulaharan off his floating scooter; the second society is a monarchy and their the queen refuses to meet them; the third have a force shield; and the fourth, slow moving burrowers, arrive with bowls of meat bobbing in blue liquid—when the narrator eats one (spoiler) he discovers that he has consumed an alien elder.
There is a final note to the narrator’s father saying that the mission is a wash-out and, while writing this, he ignores the AI telling him that the force-field society have decided they want to trade.
This a tongue-in-cheek piece, but I found it more silly than amusing.
* (Mediocre). 2,950 words.

Why I’ll Never Get Tenure by Peter Wood

Why I’ll Never Get Tenure by Peter Wood (Asimov’s SF, July-August 2020) starts on the Frying Pan Tower (modelled on an oil rig), where the narrator, a physics professor called Kate Nardozi, watches as “huge bursts of sand bubble up through the shallow water.” When the event is over, she calls her robot Mitch and asks him how big the new atoll is: nine hundred and twelve feet.
After this confusing start we get information about gravity wave transmitters and “quantum sparks” before Kate’s ex-girlfriend and her boyfriend Duke (another academic) turn up. The rest of the story sees land and sea continue to swap, and romantic and academic competition between Kate and Duke. Eventually they all land up on a ship that runs aground, and Kate finds that Duke has tampered with her gravity machine. Then the robot goes back in time to stop it all happening in the first place.
I know that this is supposed to be a tongue-in-cheek piece but the story’s odd events are hard to follow, and it’s not amusing.
* (Mediocre). 4,150 words.

Generations by Megan Lindholm

Generations by Megan Lindholm (Asimov’s SF, July-August 2020) is a short squib that opens with a young woman waiting with a wheelchair for an elderly auntie. At first we think that this is happening at an airport, but when the auntie arrives it soon becomes clear (spoiler) that they are in a park, and that she is an exhausted superhero who has just finished saving people from a fire. I’m not sure what the point of this is supposed to be.
* (Mediocre). 950 words.

Venus Exegesis by Christopher Mark Rose

Venus Exegesis by Christopher Mark Rose (Asimov’s SF, March-April 2022) opens with a brief prologue that introduces the narrator Ling Chen—an obedient ex-US Navy pilot sent on a mission to the atmosphere of Venus. The story itself starts in the gondola that she (although the narrator’s sex isn’t clear till later in the story) shares with a scientist, Gabriel, and an AI, Zheng-123783b (there is brief reference to AI civil rights and the fact that “you couldn’t send humans on a great voyage of discovery and leave out the inorganics”).
In fairly short order Ling becomes sexually involved with Zheng, and soon after that she is outside the floating gondola hacking one of the native “flying pancakes” to death with a machete, a First Contact situation gone badly wrong. When they are almost overwhelmed by pancakes responding to the killing, Gabriel fires the rocket motors. This saves them but they lose a lot of their attached life support equipment.
At this point (spoiler) the story then morphs from a sex-with-AIs/First Contact tale into a Climate Change one, where Gabriel theorises that Venus was once like Earth but suffered from a huge runaway greenhouse effect. Then, when the crew are ordered home (they cannot survive for very long in their diminished state), Ling suggests that Zheng is sent back digitally to Earth, she take the one-man emergency pod, and Gabriel remains to do vital work on his theory. This solution is not accepted by mission control, and Ling gets a message from her Navy handlers on a secret backchannel—then, when Ling and Gabriel subsequently go outside on a routine EVA to remove the pancakes from the gondola, Ling stabs Gabriel with the machete and throws his body into the Venusian atmosphere, while making radio calls that suggest that AI Zheng has jumped.
Ling later goes home in the pod, while Zheng stays on the gondola impersonating Gabriel and doing his work (apparently Zheng couldn’t have been left behind on its own for political reasons).
Things slowly improve on Earth, although the similarity between the global warming effects on the two planets are never made public.
This story didn’t work for me for a number of reasons: first, I didn’t buy the Navy pilot as assassin malarkey (being able to drop a bomb on someone doesn’t qualify you as a close-quarters killer); second, this kitchen sink story can’t seem to decide whether it is about AI, planetary exploration, first contact, or climate change; third, the internal logic of the story does not convince (the political background is sketchy to say the least and, at one point, Zheng cryptically states it won’t be able to help Ling as it is “Asimov’ed” and “can’t kill Gabriel”. Obviously not that Asimov’ed, because colluding in Ling’s killing of Gabriel is an obvious First Law violation.
This is a bit of a mess.
* (Mediocre). 7,500 words.

The Magpie Stacks Probabilities by Arie Coleman

The Magpie Stacks Probabilities by Arie Coleman (Asimov’s SF, March-April 2022) has as its narrator a female astronaut who managed to survive an accident in space by opening a hatch with an improvised tool based on a lost Allen key. The story itself takes place afterwards at her home with her wife and son. The latter has now started to secrete small items around the house; later, the narrator starts doing the same thing while musing about order and entropy.
There is no real story here, and I’m not sure what point the piece is trying to make (possibly none, it may just be a short mood piece).
* (Mediocre), 2,750 words.